as a producer d julz released his tracks since 2000 on labels like ovum, serial, 20/20 vision, paper, music for freaks, end recordings. now he is back with a fresh 12inch on dessous recordings.the title-track >berlingo< is a breezy and funky beatdriven mixture of reduced house music and technoid influences which seem to escalate from bar to bar until some hypnotic chords come in and set the roof on fire!moon harbour s finest matthias tanzmann & daniel stefanik created a fantastic remix of >berlingo< recomposing the original ingredients into a dark hypnotic techno house hybrid. deep and drifty >sulo< on b2 rounds up the single with a flashy bassline and nice sythnie and sound gimmicks

kenny dope breathes a new breath of life into todd terrys classic. kenny totally reworks the beats to make this a afro tinged houser primed for those funky/soulful floors. it also includes the original mix. you gotta love that sample

heavily supported by m.an.d.y., dj t, david duriez, konrad black, tom clark, sasse!! update 2.0 of woodys already successfull >whatever< series. minimal not minimal is the name of the game here! open produced and very fresh and full sounding the two to long and intensely reduced tracks are immediately touching, thrilling and are much thicker cut than your ordinary berlin click track. you could almost call it >maximal< , hehe .again side a is a kicking stylish electronic build up theme – reduction with just the right punch(the one that is missing so often these days,hehe)and great compressed bliss that simply rocks unstoppable once you get hooked into this unique below the line killer groove. 8 minutes that just fly by like a >hot rod< and youre immediately tempted to stay >tuned< , hand the keys over to wood and let him do the driving for the next 10 hours or so! >dakini< is more dark and mystical in appeal with a sturdy bassline and wicked nervous infrastructure making the whole gem as another two double a side 12inch. next stop woody

mash aka martyn henderson based in glasgow is known from releases on blue black, glasgow underground and his own tracktion and distracktion labels.. here on players paradise he delivers 3 hot tracks!! >dreech< is a crazy journey into disco space, >electrique< is a rocker in best dfa tradition and >bada bing<, an old school house track that reminds us of early todd terry productions

mr shine sees b. smiley (todd christenson) crank up the decibels for this catchy full frontal breaks scorcher featuring rave stylee 303 acid driving the tight percussive layers on the flipside, pigs 4 dinna produced by simo pushes the limits with some old school guitar riff samples taken to a new realm. pigs 4 dinna is a trippy excursion into sonic fiction

mynt team up with vocalist kim sozzi once more on this latest offering from ultra gritty primietime progger, with filtered moody synths and big peaktime beats backing kims strong vocal track 4 mixes to go at here, with al b richs into the light dub getting the slight nod for its chunky tribal workout

dalessandro & expander delivers a track, which a hypnotic acid loop leads us into a passionate anthem that makes you want to reach the sky. midimiliz, aso known as extrawelt, comes with a uplitfting techno track, filled with their ever evolving basslines and analog synths !!

this chicago stepper inspired single from song siren autumn’s album “love child” is a key that opens the door to an infectiously musical and melodic journey into her urban heart and soul. here she gets the treatment from the soundphaze unit with anthony nicholson, william kurk & quincy nicholson

after his >dark moon rising< martinez is back with two excursions into the ordeals of sound. >polytone< move further and further into the dreamtime and >bedouins< have a excellent hypnotic magic.

anders trentemøller, the shooting star of 2005, needs no further introduction. he has been stringing together hit after hit, most recently the -nam nam ep- on poker flat which offered an initial insight into his upcoming album -the last resort-. now the new 12- brings the first full-blown single outtake. the featured album track is -always something better – a vocal version featuring richard davis - and has a calmer, almost dreamy mood compared to the club tracks he s released. an easy-going groove, some wonderful celesta chords (hand-played by anders) and the typical trentemøller sound melt with the outstanding vocals by richard davis, who already graced swayzak s -speak easy- on k7. furthermore, davis is known for his longplayers on punkt musik and kitty-yo as well as an array of singles and remixes.a brilliant track with a beautiful atmosphere.of course the a1 slot is reserved for the -trentemøller remix-, a true dancefloor anthem. a kicking bass drum, quirky sounds and the -trentemøller twist- make this a real summer hit. while the a1 mix is a reduced vocal version, you ll find the -dub mix- on b1. to top things off, the one and only matthew herbert contributes his very own interpretation on the -bubble mix-. he disrupts and rearranges the original sounds and song structures to create a new unsettled, but fascinating soundscape

capek is the second ep release taken from the mr. velcrofastener album >telemacho<. it gives you four different views into the world of electro, some 4/4 minimalism, raw booming electrotechno and as always with mr. velcro – melodies and soulful arrangements. inlc sasse remix

in the wake of raudive aka oliver ho (podium 1) comes amsterdam native shinedoe who with her 2004 debut >dilemma< (on 100% pure) instantly accomplished what others never achieve: respect and support by the likes of väth, hawtin and villalobos. her style: straightforward, strictly functional detroit techno - with an essential and effective touch of soul. as her debut album is expected for september 2006, we may catch a glimpse into the near future with her track >amsterdam meets berlin.< here, she does what she s best at. she uniquely creates atmosphere with just one chord, relying on the power of harmonies. but watch out. when the dreamlike vibe leads to a sudden change of keys, we re all puppets on her strings.

the track loud minority is dedicated to alex dallas loud minority residency in zurichs great club dachkantine, which closed down and was a home for great guests such as carl craig, pepe bradock, juan atkins, metro area, herbert and maurice fulton to name just a few. they all inspired us to create music which incorporates all our beloved music and combine different style elements to a fresh and maybe even a typical zurich sounding way. with dessert you can fade away and feel the ability of foster to take you into his simple but at the same time very sophisticated form of musical expression. kanona does what the title suggests. all tracks are flavoured with a great detroit feeling there are many things to say about this record but theres nothing better than listening to it.

with this release on drumpoet he presents kadena,a track which already acclaimed much attention by the likes of âme and dixon and creates a fresh symbiosis between disco and detroit. an emotional and bootyshaking tune which can take you higher and make you want to move it. on secret playground he goes into the more dubby side of this ep and provides a deep minimal excursion with a warm and almost cinematic feel. lexx is a musiclover so his spectrum is huge, but all we can say is, that this man knows what he does and there are many things to say about this record but theres nothing better than listening to it

holy robot! with a blaring bassline that suffocates the snickering vocal snippets and trickling clicky noises that sprinkle the sparse but strong arrangement, this one-sided powerhouse steers the trembling floorsters straight into oblivion. wickedness straight outta potsdam. with their third release, this new eastern german imprint takes minimal to maximum level

the father father remix takes you on a hypnotizing trip inside your bleeding soul. worgull isolates two single lines of oezlem cetins soulful sermon and creates a deep and dark dub version with many references to detroit and old school chicago. a future classic which shares the same vibes as henrik schwarz rework of walk a mile in my shoes. on the flipside is a nice reinterpretation of are we? by tony nwachukwu (attica blues), another friend of the karma boys, which features michelle amadors sweet vocals over a minimalistic detroit flavoured techno jazz excursion keeping the odd waltz time signature of the original and flipping the tune into an atmospheric future shuffle

marcus hartmann from berlin takes us on a trip deep into his micro melodic techhousing area. two tracks to lift up everybody at anytime

classwork is the very own label by one of our favourite italian s : diego montinario aka. >sandiego< better known as half of >boggie drama< on wasnotwas or >sachi and sandiego< on 20:20 vision. diego favours one real alternative to the frickelfrackle miniclicking today scene. sparkling, dubby kick ass real house, slightly hallucine but full of air and boogiefunk and most of all a dry no nonsense killer production. or in other words - sandiego s tracks fill up the room in minutes - put the volume up and get sucked into - it. tip

rich production, heavy beats, huge b-line and gritty male vocal combine to make this record a guaranteed floor-rocker. cuba s favourite scouse cousins rhythm code make a welcome return to the fold, twisting the original into a slamming jacker with a groove to-diefor. dub versions supplied on the wax too for the vocal adverse. support from laurent garnier, sasha, steve lawler, darren emerson

nice price deal !!! the disco darlingss create themselves a big task by revamping an old legend david essex they revocal it and turn it into a massive fat dancefloor track with a huge winning breakdown

inc. mikael stavöstrand rmx sunset diskos – the deep and funky minimal techno label from mikael stavöstrand. presents it second release with a four tracker from our man in los angeles. a bit different from what you usually hear from this guy but for sure funky and chrunchy. starts off with a minimal, deep and clever melodic piece >its in the eyes< , evolving as slowly as it should .. into the next step with a bit deeper touch >in charge<. the flip side continues with >about to be< pushing the groove to the max before we find mikael stavöstrand taking >in charge< forward into deep minimal techno terrains including lots of small crunchy rythms , deep vocals and a serious groove. apendics.shuffle – aka. kenneth james gibson, a man of many personas. keeping up with him can be a time consuming, yet rewarding venture into sound

now webe1 moldes this classic (somebody is watchin me - rockwell) into a commercial club tune, with a stunning alex van alff remix in the package !

great six track ep by bjoern stolpmann with excellent easy going minimal tech !!

the hydrogen rockers are back with one of the best vocal house tunes of the summer. already turning into a balearic anthem for the dirty vegas lads. includes 2 tom novy mixes cr2 records keep churning out hit after hit

disco edits for the more discerning disco fan, the soft rocks peeps delve into their bag of oddball disco delights to turn up 3 fresh tracks.the shes a machine is a plodding groove with haunting flute and synths, next up is moroder style synth driven monster which explodes into a more uplifting piece with great backing vocals. then we finish off with the ace 80s hit from greg kihn jeopardy

on his bpitch debut ep larsson pumps the finest minimal funk into the happily upswelled label veins. three tracks that found the necessary balance between trippy abstraction and bold bouncy funkyness without forgetting the comforting effect of warming facets and hypnotic melodies.

berlin team of dave shokh and holgi star are back with a cool house long player for the masses. remix courtest of the ultra hot agaric (we are, aka patrik skoog) begin with gathered clicking percussion built with high pitched stabs and reversed flicks. lirum builds ontop of itself as the snare punctuates the groove as the bell rises. a galloping invasion of sounds going from your brain wide into your feet. you will dance and feel good. yes. agaric does not hold back. the funk is dripping. a rolling tight groove filled to the top with hits and drum flips. just wait as he teases before the bassline appears and off we go. madness for the dancefloor?!? for certain!

over the last decade mark williams developed into a prolific producer and demanded dj with a distinctive style that has enabled him to play at some of the most respected clubs. and he has released on a lot of imprints worldwide. as a result of production skills it was more than logic that monoid labelhead alex flatner signed him to his imprint

following up to the fantastic earth beats remix ep (with hendrik schwarz and chateau flight) here comes kuniyukis new strike >sekai no ichiban<.. kunis new tracks are pure blissful musical drifts through wonderfull future jazz, ian obriens remix is a thick cut percussive detroity deep house voyage, atmospheric and kicking and symphonic. beautiful release !!

higher skies isnt as far out as sun ra but it is an uplifting leap into the outter reaches of the atmosphere. the drums and percussion lead us into the funky bass and ms. vogel is way up in higher skies.this is the future of future jazz with the poetic verses flying in higher consciousness. its enough to make you feel lightheaded

weave music welcomes a new face and is pleased to show you >matthias schildger< under his matt star alias. the 19 years young producer and dj is absolutely into the minimal microphunk techno. all three tracks are finest music for all minus & perlon fans !! dj support: loco dice, magda, luciano, villalobos, dominik eulberg .... any questions ??

on the a side a long re worked version of the famous 60s classic song from connie francis with massive dancefloor tech house beats sweet percussion and a tweaked vocal reloop going into deepness and ending with pad and subbass. on the flipside a brillant redub courtesy of a2 in a tech house fashion. swing beats & full bassline in a planet e style to aim for the dancefloor

randall jones again picks out fellow american derek howell to take his label into release #002. derek, who started out producing tracks independently for edm digital, shot into favour with the likes of john digweed and chris fortier for their respective bedrock and fade imprints. some tasty rolling basslines and catchy hooks

after the nr.1 club hit get sexy is freak like the new smashing hit of roger prinz a tune that has only one?destination … to bring you to dance whether club or bigroom, roger prinzs freak like has no limits. a versatile tune for erverybody, who will make his club freak out.freak like is a record, which may not be missing into your case

nice price deal !!! shahrokh dini was born on 26.10.1966 in tehran/iran and enjoyed a protected childhood as well as protected school days whilst teheran was heavily influenced by the west during the time of shah. in 1985, shahrokh left teheran and finally landed in karlsruhe where he started his study as an engineer. parallel to his study he worked as a dj, which symbolised his entrance into the music business at the same time

this debut ep from ditone delves deep into classic electro territory. ditones spaced out and epic electro beats share a similar vibe to carl finlow especially his and daz quayles classic il ek tro project. an excellent debut release and yet another new school glasgow talent to keep an eye on. highly recommended

sumo is a duo from geneva founded in 1999 by brothers fred and alex sumi. both played the piano when they were kids before they embraced freestyle-bmx. while they were riding, the ghettoblaster used to blast out punk hardcore or hip hop. in the 90’s, they moved quite naturally into music, playing bass and guitar in their originated funk band, swiss cheese connection. from 2000 to 2004, they have released on their own chiz recordslabel 4 vinyl ep s, supported by the press and djs like gilles peterson, jazzanova or luke solomon. in 2003, sumo makes its debut on yoshitoshi, label of grammy award winner duo djs deep dish, with the single >yes we will< which is played by top dj s like digweed, pete tong or paul oakenfold.

unknown label, for an amazing remake of luther vandross >o amazing< classic, & there s definitely a magic touch in this one….cool fresh sunny vibes, with all ingredients to put the party people into a magic mood….a side amazing vox b1 amazing dub .watch out

athens based label, rhythmetic comes with a new project called >kreon<. original track >quiet please< is a clubby track that sounds like an instant hit. a2 is adaptor s rmx that flips the track into something more minimal and groovy - plenty of sounds that really works in a set. b side pier bucci with his unique deep minimalistic style cooperate with nowhere and…quiet please to listen

slovenia based label cardiac is growing on popularity. run by slovenian daniel gloomy and croatian dj ogi, the label has rapidly emerged into a strong outlet for full on pumping techno with the lovly dirty edge..

dub frequencies with a jumpin synth in a minimal set. simple and irresistable. incl. dubbyman remix from deep explorer music transforms the track into a long and deep ambient tune with his own voice specially directed for underground djs

a visceral, electro-infused rendering of seaboard cityscapes dedicated to his hometown of seattle w/a move into pop territory, meticulously sliced on diced vocals packed w/sub-bass

extremely limited todd osbourn (soundmurderer) & tadd mulinix (dabrye, sk-1, james cotton) go full on into the analogue acid scene with this very ltd 12inch. detroit does chicago... the right way. 300 pressed

the second part of giordanis disco journey takes us even deeper into his love for great 70s >moroder< style minimal disco funk !!!

the original crazy gang album from 1983 plays like a soundtrack of a fictive trashy 80s teenage movie, we ve taken 2 of the stand out tracks for this 12inch, remastered and extended. produced by claudio simonetti (some of the most memorable italo-disco productions and one of the founding members of cult-horror band goblin), along with 2 fellow goblin members (walter martino and massimo morante). every sunday is a unique blend of horror-disco and robot electro. deep vocoders in contrast with the child chorus turn this into a dark and intense track, surely one of simonetti s most electronic productions and an obvious wink to his goblin background. the original recording has been extended to 8 minutes, exclusive to this 12. telephone computer is a quirky electronic disco track with a bassline that sounds almost like ebm, which still has a very modern feel to it. includes the original album version plus a more dj and dancefloor friendly edit. delicious italo electro

damon proves he s still got it, revisiting his subtractive synthesis project for an eighth time. the ep takes us on a spaced-out journey into the future with tribal beats, ethereal sounds and a sometimesquirky nature. on the a-side >space time< is a haunting track with a galloping feel and mesmerizing bass line. >evolute< is a masterful track that s both deep and funky...

clink003 is the long awaited solo production debut by camea. this hard working female dj and producer brings her musical perspective to the digital audio massive with three strong, artistic and variant tunes on this e.p. the titled track, wire tap, can be described as nothing less than 8 minutes of peak hour minimal techno, influenced by star producers like audion and sleeparchive. from the suspenseful and clicky start of this tune it is obvious that camea s focus is to tap into the wires on the dance floor and give attentive audiences a run for their money

targas fourth release on polo combining the best of electro house and songwriting into a rocking blockbuster flip for a minimal technoid remix by larse not to be missed

service station tom elaborates his very own style of minimal deep house, fathoming lots of aspects of today s minimal dancecuts into one clear vision, without ever leaving the dancefloor.